PAF016Jenny Holzer, Carved Boulders & Living Rock, 2026

Details
  1. Medium

    Quartzite

  2. Date

    2026

  3. Dimensions

    64 inches tall x 80 inches wide x 70 inches deep

  4. Photo

    (c) Jenny Holzer; “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson.

For Powder Art Foundation, Jenny Holzer has conceived an evolving commission centered on the poetry of May Swenson (1913–1989), the Utah-born American poet celebrated for her formal experimentation and acute observation of the physical world. The project begins with a single boulder, the first in an ongoing group of carved stones to be encountered across Powder Mountain.

Holzer selected a native quartzite boulder already embedded in the site, nestled among existing vegetation and aging trees. Rather than relocating the rock or clearing its surroundings, the work preserves the conditions in which it has long existed. Inscribed into its surface is a passage from Swenson’s 1956 poem The Promontory Moment: “…the eye, also a sun, wanders, and all that it sees, it owns…” The words become part of the mountain itself, with minimal disturbance to the surrounding terrain. Future boulders will extend this approach across the landscape.

Born in Logan, Utah, Swenson returned throughout her writing to the forms and rhythms of ordinary life, from bodies and objects to animals, weather, and the natural world. Her poems often test the relationship between seeing and knowing, using typography and spatial arrangement to extend meaning beyond the words themselves. Her description of existence as “breathing change” takes on particular force here, where her language is inscribed into the geology of her native state.

Holzer has long moved language beyond the page and into shared space. At Powder Mountain, reading becomes physical and durational: words are discovered through movement, attention, and pause. Carved into rock yet exposed to changing light, snow, vegetation, and the passage of time, Swenson’s language gains permanence within a setting defined by continual change.

(c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 
(c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 
(c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 
(c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 
  1. (c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 
    (c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 
  2. (c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 
    (c)  Jenny Holzer and also “The Promontory Moment” from Nature by May Swenson, © 1994 by the Literary Estate of May Swenson. Used with permission of the Literary Estate of May Swenson. 

AboutTheArtist

(c) Nanda Lanfranco
(c) Nanda Lanfranco

Jenny Holzer (b. 1950, Gallipolis, Ohio) is renowned for using language as the primary material of her art. Since the late 1970s, she has placed words in public space through posters, electronic signs, projections, carved stone, plaques, and architectural installations, examining how language can inform, persuade, unsettle, and shape collective experience. Her early Truisms series presented anonymous statements throughout New York City, establishing an approach in which texts are encountered outside conventional art spaces and become part of everyday life. Holzer has presented major projects at the Solomon R. Guggenheim Museum, New York (1989); Centre Pompidou, Paris (1996); Museum of Modern Art, New York (1997); Whitney Museum of American Art, New York (1999); and Neue Nationalgalerie, Berlin (2001). She represented the United States at the Venice Biennale (1990), where she received the Golden Lion for Best National Pavilion. Holzer lives and works in Hoosick, New York.

Other works on view

PAF011Nancy Holt, Starfire, 1986
PAF009EJ Hill, Love Song (for Eden), 2025
PAF002Gerard & Kelly, Relay (Powder Mountain), 2023
PAF001Griffin Loop, Launch Intention, 2014