Art

Powder Mountain lies at the heart of the landscape that gave rise to land art—where vast scale, remote terrain, and deep time reshaped what art could be. Powder Art Foundation builds on this legacy, stewarding historical works and commissioning contemporary artists to respond to the mountain’s dynamic topography and elemental forces.

Within a few hundred miles of Powder Mountain lie foundational works that redefined the boundaries of sculpture, performance, architecture, and ecological thinking. These works opened ambitious possibilities around scale, material, and time that have profoundly influenced the ways artists work in the landscape. Much like skiing or mountain climbing, land art is an individual exchange with nature that is physical and experiential. We become part of the work as we view it, and we become part of the mountain as we ski it.

Land art marks a shift in the meeting of art and setting. It is defined by this idea of site-responsiveness and channels an aesthetic gesture that responds directly to a location. It celebrates what is truly unique and special about a place. Powder Art Foundation continues and expands this legacy by placing contemporary artworks into the immersive, dynamic terrain of the Wasatch Mountains. Our curatorial program supports artists working across a range of materials and conceptual frameworks, from large-scale earthworks to subtle ecological interventions. Each project is designed to respond to the mountain’s unique topography, infrastructure, and history—not simply to occupy space, but to activate it.

At Powder Mountain, the fundamental aspects of an alpine resort are reimagined through the eyes of some of the most groundbreaking artists of our time, creating new works that respond to the mountain’s rugged topography, unique infrastructure, history, and community. Land art encourages a physically active engagement with artwork. Moving outside of the conventional sculpture park format and well beyond walking and viewing, visitors to Powder Mountain will experience artwork like never before. Every day at Powder Mountain is filled with stories, conversation starters, moments of introspection, and points of connection.

Through site-responsive commissions and installations, Powder Art Foundation connects viewers to the pioneering artists of land art and subsequent generations of artists working in and with the landscape. An extraordinarily diverse range of artists, materials, and approaches to working in the land defines Powder Art Foundation’s program, broadening the story of land art and expanding its possibilities. Conceived in harmony with the environment and attuned to the rhythms of seasonality, Powder Art Foundation’s program encourages sustained engagement, repeat visits, and communal discovery. These works reignite our capacity for wonder at every turn. Together, they invite contemplation, adventure, and reconnection—both with the landscape and with each other.

The Collection

PAF001Griffin Loop, Launch Intention, 2014

  1. Medium

    Steel

  2. Date

    2014

  3. Dimensions

    17 x 24 x 50 feet

PAF002Gerard & Kelly, Relay (Powder Mountain), 2023

  1. Medium

    Transparent vinyl

  2. Date

    2023

  3. Dimensions

    7 1/2 x 8 1/2 x 52 feet

  4. Photo

    Carlson Art Photography

PAF003Susan Philipsz, We’ll All Go Together, 2009

  1. Medium

    Four-channel sound installation

  2. Date

    2009

  3. Length

    1 minute, 43 seconds

  4. Photo

    Carlson Art Photography

PAF004Davina Semo, Listener, 2020-2024

  1. Medium

    Patinated cast bronze bell

  2. Date

    2020-2024

  3. Dimensions

    49 1/2 inches tall x 20 3/4 inches in diameter; overall hanging dimensions variable

  4. Photo

    Carlson Art Photography

PAF005Davina Semo, Reflector, 2025

  1. Medium

    Patinated cast bronze bell

  2. Date

    2025

  3. Dimensions

    49 1/2 inches tall x 20 3/4 inches in diameter; overall hanging dimensions variable

  4. Photo

    Carlson Art Photography

PAF007Kayode Ojo, “...and that they hadn’t heard us calling, still do not hear us, up here in the tree house...”, 2025

  1. Medium

    21 Durahonn K9 crystal chandeliers

  2. Date

    2025

  3. Dimensions

    24 1/2 x 27 x 40 inches (each); 28 1/2 x 225 x 200 feet overall

  4. Photo

    Carlson Art Photography

PAF008EJ Hill, Surrendered (Total Ascent), 2025

  1. Medium

    Nylon and steel

  2. Date

    2025

  3. Dimensions

    126 x 96 inches

  4. Photo

    Carlson Art Photography

PAF009EJ Hill, Love Song (for Eden), 2025

  1. Medium

    Neon

  2. Date

    2025

  3. Dimensions

    240 × 42 × 240 inches

  4. Photo

    Carlson Art Photography

PAF010Madeline Hollander, The Moon is Always Full, 2023

  1. Medium

    Neon sign (glass, electrical cables, transformer, dimmer)

  2. Date

    2023

  3. Dimensions

    36 x 40 1/2 inches

  4. Photo

    Image courtesy the artist and Bortolami, New York. Photography by Parker Gallery, Los Angeles.

PAF011Nancy Holt, Starfire, 1986

  1. Medium

    Steel, fire, and earth 

  2. Date

    1986

  3. Dimensions

    Installation dimensions variable

  4. Photo

    Carlson Art Photography. © Holt/Smithson Foundation / Licensed by Artists Rights Society, New York.

PAF012Nobuo Sekine, Phase of Nothingness - Stone Stack, 1970-2025

  1. Medium

    Natural stone, steel

  2. Date

    1970/2025

  3. Dimensions

    228 × 37 × 56 inches

  4. Photo

    Photo: Carlson Art Photography. © Nobuo Sekine Estate.