PAF015Xu Zhen, Hello, 2021-22
Medium
Brass, stainless steel, paint
Date
2021-22
Dimensions
475 × 430 × 430 cm (187 1/8 × 169 1/4 × 169 1/4 in.)
Photos
Kim Raff
A monumental Corinthian column bends and coils into an improbable serpentine form, transforming a structure associated with stability and permanence into something animated, fluid, and seemingly alert to its surroundings. Created through a combination of digital modeling and traditional fabrication, Hello reinterprets the classical Greek architectural form associated with permanence and cultural authority as a seemingly animate, beast-like body. Xu has linked its watchful capital to Nietzsche’s image of the abyss “gazing back,” suggesting that history is not simply observed but confronts the viewer in return. For the artist, the work becomes a metaphor for encounters between civilizations across time and geography.
Tucked within an aspen grove, Hello can also be glimpsed from the Hidden Lake lift. Its vertical form echoes the surrounding trunks, while its exaggerated curves interrupt their natural rhythm. Encountered among trees rather than architecture, the column is displaced from its conventional setting and recast within a landscape shaped by growth, weather, and seasonal change. The sculpture extends Xu’s interest in cultural displacement and hybridity, asking how inherited forms shift in meaning as they move across place, time, and context.
AboutTheArtist
Xu Zhen (b. 1977, Shanghai, China) works across sculpture, painting, installation, performance, and video, combining conceptual strategies with the visual language of popular culture. Since emerging in the late 1990s, he has brought together symbols, styles, and objects drawn from different civilizations, historical periods, and systems of belief. These deliberately incongruous encounters examine how cultural meaning is produced, circulated, and transformed, while addressing questions of power, authorship, globalization, and cultural exchange. In 2009, Xu founded MadeIn Company, an art-production corporation, followed in 2013 by the launch of XU ZHEN®, positioning the artist himself as a brand produced by the company.
Major solo exhibitions include Xu Zhen Solo Exhibition, Long Museum West Bund, Shanghai (2015), which brought together more than 100 works spanning his practice, and XU ZHEN: A MadeIn Company Production, UCCA, Beijing (2014). His work has also been presented internationally at the Venice Biennale (2001 and 2005); Museum of Modern Art, New York (2004); and Tate Liverpool (2007), and is held in collections including Tate, London; Centre Pompidou, Paris; M+, Hong Kong; and Astrup Fearnley Museet, Oslo.







